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Rajasthani Langa Party 


 

Langa Party at Salumbar Udaipur Rajasthan


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Lanaga Manjoor Khan


 

Langa Harun Khan


 

Langa Gever Khan


 

Langa Party Maganiyar Jodhpur


 

Langa Bhutte Khan


 

The Langa community comes from the eastern part of Rajasthan, mainly from the districts of Jaisalmer and Barmer in the north-western part of the country. Set a midst the desert, the community has developed a rich and composite culture infused with music and dance. Though Muslim by birth, the Langas are closely linked to generations of both Hindu as well as Muslim patrons called the ‘jajmaans’. During festivals and all special occasions like births, engagements, marriages, etc. the Langas are called upon to perform and sing in homes and temples and are then remunerated for their performances by the patrons. The music of the Langas borders on the classical and they are usually adept at both singing as well as playing their musical instruments, which are the sarangi, the murli (flute), the surnai (big bass flute), the algoza (double flute), the morchang (jewish harp) and the khartal (castanet).

We Provide Langa Party Artist (Rajasthani Singer ) For Any Type Of Event Like Business Dinners, Golf Tournaments, Networking Events, Product Launches, Award Ceremonies, Holiday Parties, Customer Appreciation Parties, Board Meetings, Happy Hours, Seminars, Shareholder Meetings, Charity Functions, Press Conferences, Trade Shows, Vip Events, Standard Event, University Event, Youth Event, Salon Event, Corporate Event, Ed Event, Cinema Event, Library Event, Announcement, Audition, Banquet, Campus Activity, Candidate Seminar, Ceremony, Colloquium, Concert, Conference, Deadline, Enrichment, Exam, Exhibition, Festival, Forum, Fundraising, Gathering, Lecture, Meeting, Outreach, Performance, Reading, Reception, Recreation, Regional Activity, Screening, Seminar, Sport, Training Party Planning, Promotions Events Management, Corporate Event Organizer, Leisure Event Management, Personal Event Management,Wedding Event In All Over India.

Rajasthani Langa Group
Gallery The Langha and related Manganiar are both communities of folk musicians, and have two sub-divisions, the Sonia Langha and Sarengia Langha. These sub-divisions are based on the use of musical instruments used, the Sonia Langha play the shanai (a type of piped instrument) at wedding ceremonies, and the Sarengia play the sarangee. The two groups are endogamous, and are further divided into clans.
According to their traditions, they were Jaat, Rajputs, whose ancestor converted to Islam so that could learn music. They are said to have originated in Sindh, and settled in the village of Baranwa in Barmer District
The community sing, play music and entertain the Sindhi-Sipahi, a community of Muslim Rajputs, who act as their jajmans (patrons). They are found in the districts of Barmer, Jaisalmer and Jodhpur, and speak Marwari.
The community are endogamous and practice clan exogamy. Their main clans are Khaltera, Pannu, Janjarika, Kalrika and Toarika. At times of birth, marriage or any family festivity of their Sindhi-Sipahi patrons, the Langha musicians are in attendance to evoke the right mood with songs of the desert and many specially composed songs to praise the patron and his family. During the last fifteen years, many Langha have become part of the entertainment industry, and have toured the world as part of the “Festival of India” tours organized by the Indian government.

 

                           

We Provide Langa Party Artist (Rajasthani Singer ) For Any Type Of Wedding Event In All Over India.We also provide Rajasthani folk music singers, dancer, lok dance artist booking services in all over india.Rajasthani Langa Songs Jugalbandi, Fire Shows, Puppet Shows, Wedding, Camel Elephant Horse Riding, Welcome Girls, Mehandi Girls, Caricature, Rice Painting, Magic Shows, DJ Services Semi classical Like kawali, Gazals.

Allah Jilai Bai Antre Khan Anwar Khan Anwar Khan Manganiar Anwar Manganiar
Asif Hussain Samraat Barkat and Jalal Barmer Boys Bhalluram Meghwal Bhanvri Devi
Bhutte Khan Bihari Kathak Bundu Khan Chanan Khan Dapu Khan
Dheera Sen Documentaries Fakira Khan Gafur Khan Gavri Devi
Gazhi khan Gazi Khan Barna Ghewar Tailor Ghulam Rasool Gurjar
Hameed Khan Kawa Jamat Khan Jamila Bai and Kulsum Kalu Ram Karima Khan
Kawa Brothers Kutle Khan Lakha Khan Langa and Manganiar Maangi Bai
Mahesharam Malaram Meghwal Mame Khan Mangi Bai Arya Manoj Chhaperwal
Mehdi Hassan Merasi Mohammed Ayub Mohan Maharaj Nimbarak Morcheng Studio
Mukhtiyar Ali Multan Khan Munshi Khan Naina Ram Inana Nand Lal
Naseebo Lal Nathu Singh Shekhawat Pandit Chiranji Lal Tanwar Pappu Maru Pratibha Naitthani
Rajnigandha Shekhawat Rama Bahi Ramachandar Ramesh Mewal Ramswarup
Rekha Rao Reshma`  Rukma Bai Sakar Khan Samandar Khan
Saraswati Devi Dhandra Shobha Gurtu Sikander Ilamdin Langa Sumermal Pungaliya Sumitra

Manganiar are professional hereditary caste musicians. They mostly live in Jaisalmer and Barmer districts of Rajasthan.They play an interesting string instrument played with a bow. It is know as Kamaicha. The instrument is exclusively played in Rajasthan and some other parts of Sindh in Pakistan.

Manganiars (Though Muslims) sing invariable among Hindu patron families. They serve during childbirth, weddings and other ceremonies. Manganiars are very good are rhythmic instruments like Dholak and Khadtal. Their musical compositions are very complex and have improvisatory rules build into it. Virtuoso rhythm playing has largely added to their success in music.

Manganiars have performed in many countries of the world. They have achieved great success everywhere.

Manganiyar

The Langas and Manganiars are groups of hereditary professional musicians, whose music has been supported by wealthy landlords and aristocrats for generations. Both sing in the same dialect, but their styles and repertoires differ, shaped by the tastes of their patrons. The monarchs of the courts of Rajput and Jaipur maintained large music and dance troupes an in an environment where the arts were allowed to flourish. Though both communities are made up of Muslim musicians, many of their songs are in praise of Hindu deities and celebrate Hindu festivals such as Diwali and Holi. The Manganiar performers traditionally invoke the Hindu God Krishna and seek his blessings before beginning their recital. At one time, the Manganiars were musicians of the Rajput courts, accompanying their chiefs to war and providing them with entertainment before and after the battles and in the event of his death, would perform at the ruler’s vigil day and night until the mourning was over.

Langa literally means ‘song giver’. An accomplished group of poets, singers, and musicians from the Barmer district of Rajasthan, the Langas seem to have converted from Hinduism to Islam in the 17th century. Traditionally, Sufi influences prevented them from using percussion instruments, however, the Langas are versatile players of the Sindhi Sarangi and the Algoza (double flute), which accompany and echo their formidable and magical voices. They perform at events like births, and weddings, exclusively for their patrons (Yajman), who are cattle breeders, farmers, and landowners. The Langa musicians are regarded by their patrons as ‘kings’.

“The ‘Sindhi Sarangi’ used by the Langas, is made up of four main wires, with more than twenty vibrating sympathetic strings which help to create its distinctive haunting tones. The bowing of these instruments is a skilful exercise, often supported by the sound of the ‘ghungroos’ or ankle bells that are tied to the bow to make the beat more prominent.

The word ‘Manganiyar’ means those who ask for alms. On different occasions they would go to patron’s houses and sing appropriate songs and in turn would be rewarded. The Manganiyar community is divided into two parts, one whose patrons are Hindus and the other who have Muslim patrons. The Hindu patrons mostly belong to Bhati and Rathore communities of Rajputs while the Muslim patrons are Sindhi Muslims.
Even though the Manganiyars are Sunni Muslims by birth, their lifestyle and the way of dressing up reflect the Hindu or the ‘Ganga-Jamana’ culture. They present a perfect example of communal bonhomie as for generations they have been closely linked to both Muslim and Hindu families for their livelihood. Since generations the tradition of singing and composing for occasions is going strong. Singing at their jajmaans house on various occasions is their traditional profession. Describing their jajmaans illustrious history which is full of honor and pride, is their specialty. The description of jajmaan’s Genealogy with the support of artists is known as ‘Shubhraj’. Such is the ability of these people that they could recite all the names of the last few generations of the jajmaans within the space of a single breath. This also includes the description of their achievements. In exchange of the above, the manganiyars were rewarded handsomely in the form of grain, wheat, goat, camel, sheep, horse or cash.

Khamaycha is the most significant instrument of Manganiyar community. It is like an ancient niche amongst string instruments which is linked with Manganiyar community since ages. Khamaycha is made up of mango wood. The big, round, hollow part on one end of it is covered with goat skin. This instrument has 17 strings out of which three special strings are made from goat’s intestine and the rest of the 14 strings are made up of steel. When they touch those three special strings with their special bow made from the horse’s hair, it produces some soul stirring music.

Other than Khamaycha the instruments that they play are Dholak and Khartaal. Dholak is a hollow drum tapering at both ends. Both the ends are covered with leather (animal skin). They use loops of rope to tighten the animal skin at the two ends. Sometimes they use traditional Dhol also.

Khartaal produces melodious musical sounds with the special movements of the hands. The four pieces of Khartaal are made up of Sheesham wood. When the Manganiyar artist plays Khartaal, it evokes a delightful combination of rhythm and the musical notes.

Khartaal. The word mean Khar and Taal. Khar means hand and Taal means Rhythm. Rhythm of Hands. Khartaal is a kind of castanets, made of teak wood, and the artistes hold them in both hands and perform with tremendous ease. A young man’s Karthal play holding it in his hands was a thrill to watch for the way he created complex percussion sounds, while his partner was playing the dholak.

The dholak is a classical North Indian, Pakisthani and Nepalese hand drum. A dholak may have traditional lacing or turnbuckle tuning. The dholak has a simple membrane and a handle on the right-hand side. The left-hand membrane has a special coating on the inner surface. This coating is a mixture of tar, clay and sand (dholak masala) which lowers the pitch and provides a well-defined tone. The wood used for the membrane is usually made of teak wood, also known as “sheesham” wood. The process of hollowing out the drum is the determination of the sound and quality of the dholak A dholak has 2 heads a small part for the high pitch, and the large part is for the low pitch and it’s pitched depending on size and tuning sounding like a bongo in playing mode.

some famous langa party songs

Loomba Re Loomba Helo Suno Ji Rama Pir Holiya Mein Ude Re Gulal Arrara Kalyo
Instrumental Jodira Chora Aage Aage Kotal Ghodlo Nimbuda
Instrumental Deego Tharo Dagariyo Aaja Mhara Balma Punlo

The vast unending expanse of burning hot sand that makes up the Thar Desert of Rajasthan hosts one of the most vibrant and evocative music cultures of the world. The heady, hypnotic combination of rhythm and melodies sung and played by the Langas and Manganiars are part of the eternal appeal of this mysterious and wondrous land.

The soulful, full throated voices of these two music communities have filled the cool air of the desert night for centuries in a tradition that reflects all aspects of Rajasthani life. Songs for every occasion, mood and moment; stories of legendary battles, heroes and lovers engender a spirit of identity, expressed through music that provides relief from the inhospitable land of heat and dust storms.

Ismail Khan Langa and his group are of the Langa caste and their ancestral village is Badnava in Barmer District of Rajasthan. Traditionally their ancestors, professional musicians, were invited by the royal families to perform at weddings, childbirths or other festive occasions. Over the years there has been an increasing trend of groups performing at programs nationally and internationally and that is how these groups make a living now.

Rajasthan’s Langa DanceTheir entire team consists of members of the family, uncles, cousins, brothers, nephews; all men. The women were not allowed to perform traditionally and still are not. The women who are part of their team are professionals of other communities who team up with them to provide variety to the repertoire at programs. Their group has travelled abroad to perform at several programmes.

The Langas and Manganiars are groups of hereditary professional musicians, whose music has been supported by wealthy landlords and aristocrats for generations. Both sing in the same dialect, but their styles and repertoires differ, shaped by the tastes of their patrons. The monarchs of the courts of Rajput and Jaipur maintained large music and dance troupes an in an environment where the arts were allowed to flourish.

Though both communities are made up of Muslim musicians, many of their songs are in praise of Hindu deities and celebrate Hindu festivals such as Diwali and Holi. The Manganiar performers traditionally invoke the Hindu God Krishna and seek his blessings before beginning their recital. At one time, the Manganiars were musicians of the Rajput courts, accompanying their chiefs to war and providing them with entertainment before and after the battles and in the event of his death, would perform at the ruler’s vigil day and night until the mourning was over.

Rajasthan’s Langa DanceLanga literally means ‘song giver’. An accomplished group of poets, singers, and musicians from the Barmer district of Rajasthan, the Langas seem to have converted from Hinduism to Islam in the 17th century. Traditionally, Sufi influences prevented them from using percussion instruments, however, the Langas are versatile players of the Sindhi Sarangi and the Algoza (double flute), which accompany and echo their formidable and magical voices. They perform at events like births, and weddings, exclusively for their patrons (Yajman), who are cattle breeders, farmers, and landowners. The Langa musicians are regarded by their patrons as ‘kings’.

The ‘Sindhi Sarangi’ used by the Langas, is made up of four main wires, with more than twenty vibrating sympathetic strings which help to create its distinctive haunting tones. The bowing of these instruments is a skilful exercise, often supported by the sound of the ‘ghungroos’ or ankle bells that are tied to the bow to make the beat more prominent.

Another remarkable bowed instrument is the ‘kamayacha’ of the manganiars with its big, circular resonator, giving out an impressive deep, booming sound. The music of Rajasthan is driven by pulsating rhythms created by an array of percussion instruments, the most popular of them being the ‘dholak’, a double headed barrel drum, whose repertoire has influenced other Indian drums including the tabla. This recording also features the double flute, ‘satara’, and the hypnotic Jewish harp or ‘morchang’.

Udaipur Event Management Company is a unique dedicated Udaipur – ‘Where Orchestra and Folk Music and Folk Dance find their appropriate position and place’. The Complete Combination which gives you a 100% listening pleasure and comfort to the ears & Soul. Udaipur Event management Company caters to all the areas of orchestral music, Vocal music, live classical music, light music instrumental, Kathak Dance, Rajasthani Folk Dance Like ( Bhawai, chari, Ghoomer, Gramin Bhawai, Kalbeliya) , Rajasthani Langa Songs Jugalbandi, Fire Shows, Puppet Shows, Wedding, Camel Elephant Horse Riding, Welcome Girls, Mehandi Girls, Caricature, Rice Painting, Majic Shows, DJ Services Semi classical Like kawali, Gajals and either independently or combined in a symphony orchestra format presenting thereby with a wonderful blend of good sound.They provide you with a treat of best music- best classical music, best Instrumental Music, Best Vocal Music, Best Folk Dances Of Real Rajasthan that is quite Much ancient.

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Marwari, Rajasthani Langa Group Booking Contact +91 99286 86346 , 9413174160

1 Ajitaram Meghwal
2 Allauddin Khan Langa
3 Allauddin Manganiyar
4 Amiya Kalbelya
5 Anaba Bai
6 Anwar Khan Jhanpli
7 Anwar Khan Manganiyar
8 Anwar Khan Mangnaiyar (Kamayacha)
9 Arjuna Ram Meghwal
10 Aseen Khan
11 Ashok Pahadia
12 Ayub
13 Ayub Langa Phalodi
14 Babu Khan (Barmer)
15 Babu Khan (Gadra)
16 Babulal Bhopa
17 Babunath Jogi
18 Bakshe Khan Manganiyar
19 Bakshu Khan
20 Balchand Bhawai
21 Balu Ram
22 Barkat Khan Managniyar
23 Barkat Khan Manganyiar (Lava)
24 Barkham
25 Bhanwar Lal Bhopa
26 Bhanwaru Khan
27 Bhanwari Devi
28 Bhika Khan (Poet)
29 Bhike Khan
30 Bhugra Khan
31 Bhura Khan (Brother of Swai)
32 Bhura so Swaroopa
33 Bhutta Khan
34 Bhutta Khan Dedadiyad
35 Bilal Khan so Lukman Khan (New)
36 Bundu Khan Langa, (Vocal)
37 Chanan Khan (Bissu)
38 Chanan Khan (Kinoi)
39 Chugge Khan
40 Darra Khan
41 Daya Ram Bhand
42 Devu Khan
43 Devu Ram Manta
44 Dilawar Khan
45 Dinga Lal
46 Fakeera Khan
47 Farukh
48 Firoz Khan
49 Fusse Khan
50 Gaffruddin Mewati
51 Gaffur Khan
52 Gaffur Khan (Fusad)
53 Gafoor Khan
54 Gafur Khan Manganiyar
55 Gavra Devi
56 Gazi Khan
57 Gazi Khan (Bada Gaazi)
58 Ghanshyam
59 Ghever Khan
60 Gopa Khan
61 Gopal ji
62 Gopal Kumar
63 Gopal Ram (Algoza)
64 Gopal Ram Geela
65 Goram Khan
66 Guddo Brother Fakira
67 Gulabo
68 Ghulam Hussain
69 Habib Khan
70 Hakam Khan
71 Hakim Khan
72 Harish Bhati
73 Hasam Khan Manganiyar
74 Hema Ram Meghwal
75 Hussain Khan so Saddik ji
76 Ismil Khan Langa
77 Jahur Khan Mewati
78 Jaisa Khan
79 Jakab Khan
80 Jalal Khan
81 Jamali Devi
82 Jamuna Devi
83 Joga Khan
84 Jumma Yogi
85 Jepu Khan Langa
86 Kachra Khan
87 Kadar Khan
88 Kadar Khan Langa
89 Kailash
90 Kalo Khan
91 Kambir
92 Kamla Devi
93 Kanwrun Khan
94 Karim Khan Langa
95 Kasam Khan
96 Khema Ram
97 Kheta Khan (Hamira)
98 Kheta Khan Manganiyar
99 Khimaram
100 Khimaram Meghwal
101 Kishan Kumar Molisar
102 Kishan Nath Kalbelya
103 Kohinoor Langa
104 Kutla Khan
105 Kutla Khan (Dholak)
106 Ladoo Ram Naik
107 Lakha Khan Manganiyar
108 Lal Khan Surinda
109 Latif Khan Langa
110 Latif Khan Manganiyar
111 Luna Khan
112 Mahesha Ram Meghwal
113 Mala Ram Gavaria
114 Mali Devi
115 Mame Khan Manganiyar
116 Mubarak Khan Langa
117 Manjoor Khan Manganiyar
118 Murad Khan Langa
119 Muse Khan
120 Meheruddin Langa
121 Naley Khan
122 Narayana Ram
123 Nathu Lal
124 Nek Mohammed
125 Nehru Khan Manganiyar
126 Nihal Khan
127 Nizam Khan
128 Noor Khan Langa
129 Noor Mohammad
130 Noor Mohammad (Pachpadra)
131 Padmaram (late)
132 Pappa Khan
133 Pempe Khan Manganiyar
134 Phulwa Devi
135 Phusa Ram
136 Prakash
137 Praveen
138 Punma Ram
139 Puran Nath Kalbeliya
140 Rafeek
141 Raies Khan Manganiyar
142 Rajki Puran Nath
143 Raju Kumari
144 Ramakrihan Solanki (late)
145 Rami Kumari
146 Ramjan
147 Ranaram
148 Ranaram Meghwal
149 Razzak Brother Joga Khan
150 Rehana
151 Rehman Khan Mir (we need to bring him
152 Ridmal Ram
153 Roshan Khan
154 Roshni
155 Rukma
156 Saddam Khan
157 Saddik
158 Saddique Khan Langa
159 Sajjan Kumar (Late)
160 Samander
161 Sanga Ram Meghwal
162 Sardar Khan Langa
163 Sarwar
164 Sataram Meghwal
165 Sawai Khan
166 Sawan Khan
167 Shakar Khan Manganyar
168 Shakur Khan Langa
169 Shamshuddin Khan Langa
170 Sheru Khan Langa
171 Shrawan Kumar
172 Sikandar
173 Sikandar (Badnawa)
174 Sonu Langa
175 Sua Kalbelia
176 Subhrati Bahrupia
177 Sugna Bhopa
178 Sugna Devi Kalbelia
179 Sumitra
180 Suresh Rao
181 Tagaram Bheel
182 Taiyabuddin Mewati
183 Tejaram
184 Yusuf Khan so Aziz Khan (New)
185 Zakir Langa